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Did you know 2010 marks the centennial of women’s right to vote in Washington State? 4Culture has a few projects up our sleeve to commemorate this important historical milestone, which we’ll let you know about soon. Keep your eyes peeled for more info this summer and fall.

In the meantime, we recommend checking out a new exhibit from the Washington State Historical Society and the Women’s History Consortium – opening this Saturday, March 13, at the State Capital Museum in Olympia. “From Parlor to Podium” focuses on the territorial suffrage campaigns centered in Olympia, and the women and men who worked to secure the vote for Washington women. The exhibit highlights how the suffrage movement went from homes to the public sphere as women and men organized for women’s rights. Running through June 30, 2011, the exhibit complements other projects and programs of the Women’s History Consortium, part of WSHS, which is leading the commemoration of the centennial of women’s right to vote in Washington in 2010, and places the 1910 victory in context of both the 19th century national movement and the complex Washington Territorial suffrage saga.

Cartoon from the May 1910 issue of Votes for Women making reference to the Reverend Mark Matthew’s opposition to women’s suffrage. Courtesy Washington State Historical Society.

ARTOPIA is an annual celebration of emerging and established artists. The multi-media, experimental and experiential event is Saturday, June 26 in Georgetown. ARTPOPIA is looking for artists to participate – no idea is too crazy. You can submit your idea online here. The deadline for submission is Thursday, April 15th. Go for it!

For a week in late February 1910, two Seattle-bound trains remained trapped in deep snow near Stevens Pass at the small railroad town of Wellington. When the unrelenting snowfall turned to rain, avalanches began roaring down the mountainsides. Around 1:15 am, on March 1, one giant avalanche swept the trains off their tracks into the river canyon below, killing at least 96 passengers and crew. One hundred years later, the event remains the worst avalanche disaster in U.S. history.

To commemorate the disaster’s centennial, historical organizations are presenting programs and posting information on websites.

On Saturday, February 27, the Skykomish Historical Society hosted two writers of books about the Wellington Disaster: Gary Krist, author of The White Cascade; and Martin Burwash, who just published Vis Major. An overflow crowd of 200 attended the event to hear the authors speak. Missed it? Save the date for August 14, as the Society plans a second commemoration at the site of the Wellington Disaster along the Iron Goat Trail.

The Northwest Railway Museum featured Gary Krist at a fundraiser on March 5, 2010, and has posted historic photos from the Oberg collection on the Wellington Remembered website. The centennial has renewed interest in a catastrophe that remains one of King County’s little-known, but major historical events.

For more information about the Wellington Disaster, visit HistoryLink.com.

Locomotive and plow crews pose with steam rotary snow plow X-808. Courtesy of Northwest Railway Museum.

Opportunity for lease and utilities in trade for work at a 4Culture-supported, south county landmark!

Overview: The City of Auburn is seeking applications for Caretaker, Mary Olson Farm. The Mary Olson Farm dates from 1879 and is listed on the National Register of Historic Sites. This 70+ acre property includes seven historic buildings, a stream, 100+ year old orchard, gardens, pastures and dense forests.  It is managed as a limited use City of Auburn Park by the White River Valley Museum. The caretaker reports directly to the Museum Director.


Lease in Trade for Work:  The Caretaker is responsible for the following tasks which will vary with the seasons and with the uses of the Farm. The lease calls for 90 to 140 hours a month (greater in the summer) of labor by the caretaker performing these tasks:

  1. Trim grass around buildings monthly during growing season.
  2. Care for chickens on a daily basis.
  3. Set out water and food for feral cat colony on daily basis.
  4. Feed, water and generally care for two cows and two horses, move to pasture and to barn as needed, remove manure to compost bins, daily.
  5. Meet with Museum staff at least monthly.
  6. Work weekends, staff special events, facility rentals and other duties as assigned. Much summer and weekend work.
  7. Weed, water and care for farmhouse gardens, hops demonstration garden, vegetable garden, and water orchard as needed during dry season.
  8. Odd jobs as requested.

The City of Auburn provides the following in trade for performing the caretaker’s duties.

  1. Mobile home, 12 x 60 feet located at the Mary Olson Farm.
  2. Utilities to include water, septic, electric and garbage (at the nearby golf course).

Qualifications: The ideal candidate will possess skills handling livestock, including awareness of issues of health and daily care; will enjoy tending vegetable and flower gardens; is able to meet and work with the public providing exceptional customer service, speaking appropriately to individuals of different ages and backgrounds; is physically able to walk or hike on uneven out door surfaces, carry 30+ pounds, bend and use his/her hands; has a good work ethic, meets commitments of both time and effort; and has a devotion to history, historic preservation, farming or the environment. The caretaker must maintain his/her own tax records, and no cash is exchanged as part of this lease.


Application Process: Fill out a City of Auburn employment application, available on line at www.ci.auburn.wa.us or at Auburn City Hall, 25 West Main St. Auburn, WA 98002, Human Resources office, first floor, or by calling 253-931-3040 to request an application by mail. The lease is open and applications are accepted until it is filled.

© courtesy of 4Culture, Chickens at Mary Olson Farm, 2008

Preservation Assistance Grants for Smaller Institutions help small and mid-sized institutions, such as libraries, museums, historical societies, archival repositories, town and county records offices, and colleges and universities, improve their ability to preserve and care for their humanities collections. Awards of up to $6000 support preservation related collection assessments, consultations, training and workshops, and institutional and collaborative disaster and emergency planning. Grants cover consultant fees, workshop registration fees, related travel and per diem expenses, and the costs of purchasing and shipping preservation supplies and equipment.

All applications to the NEH must be submitted through Grants.gov. See the 2010 application guidelines for details. Sample project descriptions, sample narratives, and a list of frequently asked questions are also at this site. The deadline for applications is May 18, 2010.

U.S. nonprofit organizations are eligible, as are state and local governmental agencies and tribal governments. Individuals are not eligible to apply. Small and mid-sized institutions that have never received an NEH grant are especially encouraged to apply.

For more information, contact the staff of NEH’s Division of Preservation and Access at 202-606-8570 and preservation@neh.gov.

© Issaquah History Museum

Arts Leadership Lab, a program of Shunpike, is accepting applications for its new CORE TEAM.  The Arts Leadership Lab CORE TEAM is a professional development, peer learning and community building program for emerging arts leaders.

UPDATE: The application deadline has been extended to Friday, March 19th (and Shunpike is doing one in King County, and another in Pierce County!)

ALL












WHAT IS ARTS LEADERSHIP LAB?

The mission of Arts Leadership Lab (ALL) is to recognize and empower arts practitioners as valuable, effective partners in the community development of the Puget Sound region. Under the stewardship of 4Culture, ALL was founded in late 2006 as the Emerging Arts Leaders of King County, a group connected to the national Emerging Leaders Network coordinated by Americans for the Arts; in 2008 the group re-formed as Arts Leadership Lab, led by the Core Team, and in early 2010, ALL moved to its new home as a program of Shunpike.


KEY ACTIVITIES

ALL’s main work has been to produce monthly panels, presentations and networking events that focus on issues and opportunities concerning the cultural ecology of our region.

The Core Team produces one of each of the following public events every quarter:

*Accountability in the Arts – Seminars in best practices for arts management

*Creative Conversations – Forums/panels on issues impacting arts and culture (e.g. space, technology, advocacy, etc.)

*SPIKE’d/ALL Out – Happy hour networking events

Beginning in 2010, the Core Team will also produce and host an “UnConference,” a half-day of short presentations by innovators in cultural ecology.


THE CORE TEAM

The ALL Core Team is an 18-month professional development, peer learning and community building opportunity that asks: What are the major opportunities of our time? How can art makers, managers and supporters be effective partners in pursuing them? Eight – 12 selected participants govern ALL and collaborate to discover new opportunities for innovation in arts leadership. Shunpike provides the Core Team with administrative support and guidance in programming.

For more information about becoming a part of the CORE TEAM, CLICK HERE to download the application.

I was disappointed to see the Obama Administration in the 2010 federal budget proposed the elimination of significant preservation funding that comes through relatively small programs such as Save America’s Treasures and Preserve America.  These two programs have had a big impact in our state, and locally in support of important work on the 100-year-old tugboat Arthur Foss, Northwest Railway Museum’s “Messenger of Peace” chapel car, and our own “Destination Heritage” guide to historic places in King County.

To me, one of the most enjoyable aspects of the work of 4Culture is its comprehensive approach to the breadth of what we call “culture.” Culture embodies more than the arts, including public art, and local history, the focus of our heritage program. It includes science and zoos and natural history and the ethnic traditions of a diverse society and so much more.

Culture also embraces historic preservation, a little understood field of endeavor that recognizes the value of saving the significant structures that tell the story of a community’s past. For instance, very few people today are members of a fraternal society, but our landscape is dotted with aging fraternal lodges that remind us of the methods of social engagement from our not too distant past. In many rural communities in King County, these lodges are important community gathering places, active reminders of the importance of social interaction. They may have small performances occasionally; they may have interpretive displays about the important people and events in a community’s history, but they are not commonly owned by arts organizations or heritage organizations. They do not typically apply to our Arts or Heritage Cultural Facilities programs (which regularly provide support for preservation projects that are also arts and heritage facilities.)

4Culture has two funding programs that provide capital support to maintain these significant community assets, no matter what kind of use goes on inside. These can include historic farmsteads, train stations, ships, privately-owned residences, gardens, and even churches. The Landmarks Rehabilitation Program and Landmark Challenge Grants are two 4Culture preservation programs – and the only such programs in King County – that provide “bricks and mortar” funding for these kinds of preservation projects.

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giancarlo_neri

The Dumbo Arts Center – Exhibition Proposals for 2011
Deadline: March 1, 2010
The Dumbo Arts Center (DAC) is a non-profit contemporary arts organization located in Dumbo Brooklyn, DAC invites artists or curators (individuals or groups) from all levels of experience to submit exhibition proposals for realization in its gallery space in 2011.  Proposed exhibitions  are open to all visual arts media.

Women in Film – New Grant
Deadline: March 1, 2010

Women in Film Seattle announces the launch of a new Professional Grant. The new grant will award one woman filmmaker’s project $1,000 in cash, in-kind donations from the Northwest film industry, promotional support through Women In Film (WIF) and a theatrical screening of the finished piece. The grant is open to professional Women in Film members in the Seattle Chapter.


Anacortes Arts Festival – Fine and Performing Artists Needed

Deadline: Various March Deadlines
Plans are well under way for the 49th annual Anacortes Arts Festival August 6-8, 2010. We continue the annual tradition of filling historic downtown with juried booth artisans, showcasing Northwest fine art at our waterfront Arts at the Port exhibits, and offering first class entertainment on Festival stages and evening concerts. All applications are available online. March deadlines for participants are quickly approaching.


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a LOW IMPACT VEHICLE exploration (aLIVe)

Inspiring connections > transportation, transit and storm water systems

In December 2009, 4Culture posted a call for ideas that will inspire and engage the broader community in a conversation about transportation. The aLIVe project aims to spark interaction across disciplines, showcase ideas and suggest action around issues of energy, livability and design.

The selection panel of experts from the fields of art, applied design, technology, public health and transportation selected eight ideas for implementation of “low impact vehicle” design from a field of 21 submitted applications.  The selected recipients and projects are:

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March Heritage & Preservation events:
Recommended by Brandi Link, Heritage & Preservation 4Culture

Washington Museum Association
Washington Women’s Suffrage Centennial Workshop
Tuesday, March 2, 2010 1:30pm – 4:30pm
Coach House, State Capital Museum, Olympia

As part of 2010 Museum Day on the Capital Campus, Western Museum Association is offering a workshop for individuals and local museum representatives to develop projects and/or programs for Washington Women’s Suffrage Centennial. The workshop will offer ways that can assist in writing “women back into history” through identification and interpretation of women’s history in all eras—Pioneer to the women’s movement of the 1970s. The workshop includes a hosted tour of the historic Bigelow House Museum, built by Oregon Trail pioneers and activists in the Suffrage and Temperance movements. To register please contact Mark Vessey, Washington State Historical Society, State Capital Museum at 360/586-0219 or mvessey@wshs.wa.gov.

Pacific Northwest Historians Guild
Pacific Northwest Borderlands Conference
Saturday, March 6, 2010 8:15am – 5:30pm
Museum of History and Industry, 2700 24th Ave, Seattle

2010 conference will explore Pacific Northwest Borderlands, and will featuring presentations on Shaping the Frontier; Women in the Northwest; Constructing Habitats; The Human-ANimal Interface; Workers, Unions and Labor; Native Settler Negotiations; Trans-{acific Connections and Traders, Smugglers, Commodities and Contraband. To view the conference program visit www.pnwhistorians.org/conferences. To register for this event visit www.brownpapertickets.com or call 1-800-838-3006.

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On February 9, 2010, a selection panel of arts professionals met to review 140 online applications to Gallery4Culture from King County artists working in a wide range of media. With exhibition months to be determined in the near future, the selected artists will be exhibiting between September 2010 and August 2011.

Congrats to the selected artists!

Erin Elyse Burns – New media/video

James Cicatko – Painting/works on paper

Andrew Fallat – Sculpture/performance

Julia Freeman – Works on paper/installation

Paul Komada – Painting/fiber art

Jason Larsen – Woodcut

Ryan Molenkamp – Painting

NKO, NTG, and Dan Hawkins - Street art

Keeara Rhoades – New media/video/installation

Gregory Schaffer – Photography

Ben Waterman – Sculpture


And sincere thanks are owed to this year’s selection panelists: Zack Bent, Susie Lee, and Robert Yoder for their work; thanks also to 4Culture Board member Kevin Carl who served as an advisor in the process.

The next Gallery4Culture Call to Artists goes out in December 2010 with a January 10, 2011 deadline. This exhibition opportunity is open to King County artists not represented by a commercial gallery at the time of application.

Paul Komada, Boogie Woogie Homage, 2008, Wool yarn, 48 x 48 inches, image courtesy of the artist

Alicia Basinger: Souvenir
Exhibition Running: MARCH 5 – 26, 2010
Artist Reception: First Thursday, MARCH 4, 2010, 6 – 8pm

Alicia Basinger’s  installation of ceramic sculpture takes its inspiration from various objects (tschotskes, antiques, and the garden).  Her predilection ranges from everyday kitsch to the figurines and over-the-top curiosities of the Rococo and Art Nouveau movements.  Creating structures in clay and orchestrating material transformations with a range of processes, Basinger creates a personal, fantastical world of objects, lanterns, and symmetrical, wall-mounted reliefs.  Her work alludes to concepts of growth, metamorphosis, phenomenon, deterioration, and our universal relationship to nature.

More


Alicia Basinger, Fan (detail), Porcelain, 5″ x 5.5″ x 4″, 2010 ©  Photo courtesy of the artist


If you’re an artist, arts group, heritage organization/specialist/educator, or someone needing help to rehabilitate a landmark, don’t forget to apply to 4Culture for project support – several deadlines are coming up in early March:

Landmark Rehabilitation: deadline March 3, 2010
Heritage Special Projects: deadline March 3, 2010
Heritage Cultural Education: deadline March 3, 2010
Individual Arts Projects: deadline March 10, 2010
Group Arts Projects: deadline March 17, 2010
See more upcoming opportunities on our 2010 Funding Calendar

Have questions? Click the link for each program above to:
1)    read more
2)    check out our brand new online application system
3)    contact the staff member for each program
4)    learn about our free application workshops

Also, we’re thrilled to have transitioned to an all-online application this year which has allowed us to simplify and streamline the process. Leave a comment below to let us know what you think.

© Jason Hirata, 2009 Individual Artist Project recipient has work on view at James Harris Gallery through March 27, 2010. Abstract drawings are crafted using raw pigment mixed with the sweat. “It’s a personal connection,” explains the artist, “but in an extremely literal sense.”

Spotlight on an Individual Artist Projects Recipient

The West Hylebos Wetlands in Federal Way are considered by many to be a natural and cultural gem of the region. Captivated by this site and the efforts to preserve it, Federal Way artist Mary Longhurst created a documentary film entitled, The Hylebos: Discovering a Hidden Jewel.

This film, supported in part through a 4Culture Individual Artist Projects award, conveys the vision of the late Ilene Marckx, whose worked formed the foundation, Friends of the Hylebos.  The Friends of the Hylebos has been working with the community to protect and restore streams, wetlands, forests and open space in the Hylebos watershed since 1983.

Mary Longhurst released her film on February 6th during a co-sponsored gathering by the Friends of the Hylebos and the Historical Society of Federal Way. Community leaders praised the film which draws attention to this hidden jewel.  YouTube Preview Image

Scott Groeniger: Ping Yao Continuum
Kenny Schneider: 1002 Rothko’s

Coming soon! Dynamic new media works by Scott Groeniger and Kenny Schneider will be added to e4c’s rotation this March.

Scott Groeniger

e4c will feature Groeniger’s The Ping Yao Continuum, depicting a scene of daily life at a restaurant in the ancient city of Ping Yao. Played in slow reverse, the food comes out of their mouths and is placed back onto the plates. Tea flows from within the body and returns to the glasses. The simple ritual act of eating together at the same table is one of the most universal human experiences. This video, The Ping Yao Continuum, is meant to express this tension by exploring the domestic ritual of a simple family meal inside the transitioning city, capturing a brief moment in time; and then extending it in reverse in an effort to prolong the experience of the present tense and savor the moment as an isolated, universal, ritual experience.
http://elasticlimit.com/artwork/



Kenny Schneider

Originally produced in 1968, Schneider’s 1002 Rothko’s was created by hand drawing on 16mm optical negatives, using markers, ink, collage materials and 2D cell animation. In 2008, he digitally reprocessed the work as 1002 Rothko’s. Using the Watchout software of e4c, Schneider has choreographed these newly reprocessed cells into a dance across four monitors.
artistsregister.com/artists/CO201


deadline: March 22, 2010

Are you an audiophile? Interested in the intersection of history, geography and stories of place? 4Culture & King County Metro Transit have issued a call for artists and interdisciplinary teams to create audio work along a new bus rapid transit corridor. Read the earlier post for details.

waterfront

Now that the weather is warming up – yes for Pacific Northwesterners, 50 degrees is warm – and sunny, GO OUTSIDE!

Channel your inner tourist, and go down to Seattle’s Central Waterfront. Why not?! How long has it been since you’ve been down there? Lots to see and do…

Founded in 1851, Elliott Bay has served as the city’s front door. South of downtown at the mouth of the Duwamish River is Harbor Island, the world’s largest artificial island when it was constructed in 1909. The island’s profile is defined by the massive gantry cranes used to load and unload containerized cargo – said to have inspired the AT-ATs of Star Wars fame. Heading north, Piers 54–59 are a distinctive group of historic wooden warehouses home to working fireboats, the Seattle Aquarium, and a variety of tasty seafood restaurants and quirky shops. These sheds are the most authentic remnants of the old waterfront still standing.

Continuing north, historic markers placed all along the seawall commemorate milestones in Seattle’s maritime history. Explore Seattle Art Museum’s Olympic Sculpture Park, and/or the walking and biking paths that connect with Smith Cove Park and the Elliott Bay Marina in the Magnolia neighborhood. For other things to see and do visit DestinationHeritage.org.

Seattle’s Central Waterfront © 4Culture 2010

hot off the press

Public Art 4Culture has updated and reprinted the Public Art Guide. Available in our offices, at the Convention Center and Pacific Place in downtown Seattle and in local arts agencies throughout the county, the Guide may also be accessed online for download and printing. Explore your public art!

a 4Culture 2009 Heritage Special Projects Recipient

Check it out! HistoryLink just announced the addition of audio for their online essays. Listen to the voices of Hazel Wolf, a local environmentalist and social activist, Floyd Schmoe, a naturalist and peace activist, and Frances Farmer, a Seattle-born actress popular in the 1930s. Visit HistoryLink.org for more information, and remember they are looking for feedback.

Ethnic Arts Connection

Come join 4Culture in a collaborative effort in connecting communities.  This FREE event features artists working in culturally specific traditions to showcase their work both on stage and an art exhibit of emerging talent.  This is a great way to network with venues that present art and artists who create art.

March 10, 2010 10 am – 6 pm 
Fisher Pavilion, Seattle Center

UPDATE– the registration deadline for presenters and artists has been extended to 5 pm, Friday, March 5. Download registration forms here.

The Ethnic Arts Connection is a collaborative project of Seattle’s Office of Arts & Cultural Affairs, Seattle Center, 4Culture, Washington State Arts Commission, Ethnic Heritage Council, Fest and Arts Northwest.

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