At a time when public sector budgets are strained and badly in need of re-booting, when every bit of public spending is under intense scrutiny, it is easy to weigh investment in health and human services, for example, against funding for arts and culture. Over my long career in the arts, I’ve heard the mantra repeatedly, “How can we justify spending on the arts when people are homeless?” Believe me, given the current levels of state, city and county spending on the arts, even if every culture dollar was reallocated for housing, we would not end homelessness. One should not be pitted against the other. A civil society is characterized by its ability to adopt policies and make investments that alleviate suffering, while at the same time encouraging activity that breeds increased creativity and economic growth.
The arts have long claimed to be an economic engine. There is ample evidence that the arts, heritage and culture spur increased economic activity. Economic impact studies conducted in our region over the past fifteen years quantify the jobs created and spending that results from attendance at festivals and theater, music and dance events, not to mention the inherent personal benefits to be gained by gathering with your friends and neighbors for a shared cultural experience.
Now we have further evidence of the unique role the arts play in community development. Storefronts Seattle, a collaboration between The Alliance for Pioneer Square, Chinatown-International District Business Improvement Area, the Seattle Office of Arts and Cultural Affairs and Department of Planning and Development, the Seattle Chinatown-International District Preservation and Development Authority, and Shunpike, will be launched on Thursday, September 2nd. Note that this is a partnership of economic development, community development, businesses and the arts. All public sector investments in the arts advance multiple community interests. That’s why we should support the arts, no matter how serious our social problems. (Disclaimer: I must confess, I also would advocate support for “the arts for arts sake”, but that’s another message.)
Storefronts Seattle is one of those simple, low-cost ideas that are good for artists, landlords and neighborhoods. It is based on the obvious premise that occupied street level space is better than vacant space with brown paper covered windows, loudly announcing “no one wants this space in this neighborhood.” It’s not unlike the rationale for the half price ticket booth in Times Square (TKTS): a seat filled by a patron paying 50% of the ticket price is better than an empty seat.
Initially, Storefronts Seattle is focused on the Chinatown-International District and Pioneer Square, two neighborhoods with their share of vacant retail space, emblematic of these difficult times. It will modestly begin with ten storefronts, but it is easy to see the idea taking hold in additional spaces and in other neighborhoods such as Capitol Hill and Belltown and suburban cities. The spaces are donated by property owners on a short-term basis, one to three months. The artists know it’s not forever; if a space is leased to a paying tenant, the artists will have to vacate. In the meantime, they have access to free space to display, sell and even create work. The landlords showcase their properties and support creative businesses, which may evolve into long-term tenants. The look of the street is improved by activating vacant space. The neighborhood experiences increased foot traffic and changes its identity from “distressed” to “cool.”
Why haven’t we done this before now?
With a little imagination and creativity, Storefronts Seattle attacks a vexing problem at very little cost to the city, artists or businesses. It demonstrates once again the value of the arts in the civic environment. September 2nd is First Thursday in Pioneer Square and Jam Fest in the Chinatown-International District. The artist storefront spaces will be open. You can find a map to the various spaces at www.storefrontsseattle.com. Just another great opportunity to get out, patronize local businesses and discover new places.
Artist John Fleming takes a first look at his new storefront space © 2010, Eliza S. Rankin
With support from 4Culture’s Heritage Special Projects program, the International Examiner’s archived newspapers are now digitized and online. Web users can browse issues spanning over thirty-five years of Northwest Asian Pacific American news.